Arturo Herrera

Arturo Herrera (b. 1959), Venezuelan-born and based in New York and Berlin, combines Modernist abstraction and images taken from popular culture in a practice that includes collage, wall paintings, mixed media sculptures, cut-outs and photography. He has exhibited nationally and internationally including at P.S. 1 Contemporary Art Center, the Hammer Museum, the Art Institute of Chicago, Sikkema Jenkins & Co., the Centre d’Art Contemporarain, Geneva, the Istanbul Biennial, and the Centro Galego de Arte Contemporánea, Santiago, Spain.

Front

Cyanotype, a photographic printmaking process first invented in 1841 and commonly used for architectural blueprint drawings, appealed to Herrera for this experimental print, Front. He snapped 35mm photos of some of his existing works, and manipulated the film by pouring coffee and other liquids on it and placing it in the freezer; the results are enigmatic, accidental versions of his work in soulful deep blue tones.

Fetch

In Fetch, Herrera painted acid directly on copper plates in a technique called spitbite, to create a suite of six etchings. The sensual and spare images are uniquely gestural and playful, evocative and suggestive. Fully in the spirit of the artist’s work, they call upon memory and the unconscious for meaning.

 

Printmaking + Sculpture Terms

Printmaking Glossary

Sculpture Glossary

Sales

For sales, or more information about an edition, please contact Graphicstudio at (813) 974-3503 or gsoffice@usf.edu.

Copyright + Reproduction

Images of the artwork are jointly owned by the artist and Graphicstudio. Reproduction of any kind including electronic media must be expressly approved by Graphicstudio.